Untitled

Monumental in its scale and vibrant black-white-red chromatic simplicity, Keith Harings Untitled from 1982 is a viscerally-charged testament to his use of pop vernacular and his enduring interest in political activism. Like his contemporary compatriots Jean-Michel Basquiat and Andy Warhol, Keith Haring was driven by a deep-rooted personal desire to serve as a narrator of the modern age. With Basquiat, Haring shared the kitsch, gritty origins of a street artist trained in the language of graffiti

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