Tijs Dragtsma (1992) - Leonardo in Vitruvian Light

Leonardo in Vitruvian Light places the artist inside his own invention. The circle and the square that once measured the ideal human body now surround an old man standing with his arms open, as though he has stepped into the diagram he gave the world and is, in turn, being measured by it. Here the geometry carries the light. The circle and square are held by a field of fine scratches, bright and continuous, while the figure within them stays mostly in shadow. His face and his long white beard catch the light as a quiet glow, a presence rather than a likeness, and his hands surface briefly where the reaching arms meet the circle's edge. The robe, the body, the weight of the man, these are let go into darkness. What remains is proportion itself, the idea that a human being can be read through number and shape. Leonardo spent a lifetime searching for that order. In this work he becomes part of it, almost absorbed by the very measure he once used to explain the world. No paint. No print. No ink. The image is formed through controlled surface damage on acrylic glass, a field of individual marks that hold the circle, the square and the old man together. The image is always present, it does not need direct light to exist. Light does not create it. It sharpens it, deepening the contrast between the glowing geometry and the man who dissolves into it. From a distance the work reads as a single luminous diagram, monumental and still. Up close it becomes a surface built from a field of fine scratches, each one part of a larger structure, the same tension between order and fragility that runs through Leonardo's own search for the perfect proportion of man. Leonardo in Vitruvian Light continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. This work is unique. "A visual language where damage is not destruction, but structure." About Art with Scratch Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness. From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole. Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality. What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence. In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive. Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light. About the Artist My name is Tijs Dragtsma, founder of TD Fine Art Studio. As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together. My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create. Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence. I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time. TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

Stima:€3,500

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