Tijs Dragtsma (1992) - A Plum Held in Blue

A single plum rests at the center of a deep blue void, its form held together by a field of individual marks rather than by paint or print. The skin, the pale bloom along its curve, the thin stem, the one bright leaf, all of it is built from controlled surface damage, worked into the coloured mirror glass until what was removed becomes the image. Nothing here is added. The plum exists because the surface around it has been taken away, scratch by scratch, until a fruit emerges from the dark the way memory holds a single ordinary thing and makes it monumental. Seen from across a room the plum reads whole, a quiet shape caught in one beam of light. Up close it dissolves into the marks themselves, a field of fine scratches with no single line carrying the image alone. Blue is the colour of the glass this work is scratched into, and here it becomes the colour of stillness, of something ripe held just before it turns. A plum is fleeting by nature, soft, perishable, gone within days. Set into blue, it is given a kind of permanence it was never meant to have, suspended rather than preserved. The surface is mirror glass, so the room you stand in and your own reflection move across it, between the marks and around the fruit. You are never simply looking at the plum. You become part of the space it floats in, caught in the same blue that holds the fruit still. The image does not depend on direct light to exist. It is there in low light and in bright light alike. What changes is only the depth, the contrast, the way the scratches catch and let go. Light does not create the image. It sharpens it. This work continues the Art on Mirror series by Tijs Dragtsma, in which scratched imagery is set into coloured mirror glass and the viewer becomes part of the work. This work is unique. "A plum, held in blue, before it was ever allowed to fall." About Art on Mirror – Blue Art on Mirror is a body of work in which the image is scratched into coloured mirror glass, and the world in front of the work becomes part of it. Every line is cut into a deep blue mirrored surface of acrylic glass. The scratches are always there, bright against the colour, while the surface around them keeps reflecting the room, the daylight and the person looking. From a distance the image reads clear and complete, a pale figure held in a field of blue. Step closer and the work opens into a delicate web of individual marks, fine and deliberate, each one essential to the whole. Behind and between them the mirror does what a mirror does. It carries the room and the viewer into the composition, so the surroundings in the work change with the place where it hangs, while the image itself stays firmly in place. Light does not create the image. It sharpens it. The blue ground absorbs and reflects, the scratched lines catch and hold, and under a focused spotlight the contrast deepens until the figure takes on a sculptural, almost luminous quality. In softer light the colour comes forward and the work settles into a quieter register, without ever losing its subject. Blue is the colour of night, of deep water and of quiet distance. That is the emotional ground every work in this series is set against, and the subjects are chosen to belong to it. Art on Mirror continues the scratched imagery of Art with Scratch by Tijs Dragtsma on a new ground. Where the black works draw their power from absence, these draw it from reflection. The viewer is no longer only looking at the work. The viewer is in it. About the Artist My name is Tijs Dragtsma, founder of TD Fine Art Studio. As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together. My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create. Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence. I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time. TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

Stima:€3,500

Vedi tutti gli oggetti diCatawikioArte Contemporanea