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Tutte le aste / Mobili, Design & Specchi / SPECTACLE REVIEW


THE SPIRIT OF THE CASINO DE PARIS THE CASINO DE PARIS and its 1926 theatre program open the doors to a rare and precious document that breathes the intoxicating atmosphere and splendor of a legendary season. Orchestrated by Albert Willemetz, Saint-Granier, and Jean Le Seyeux, this two-act revue crystallizes the precise moment when the capital becomes the global stage of artistic modernity, making it ideal to complete a collection of antique paper ephemera or to infuse a sophisticated collector's spirit into your interior. MANIFESTO FOR THE LIBERATION of the body, the liberation of morals takes over the stage, thus elevating live performance to the rank of a true manifesto. Between formal daring inherited from the avant-gardes and the rhythmic frenzy of nascent jazz, the object exudes a striking historical and visual presence driven by bold staging. By thus appropriating high lyric and choreographic culture — following the powerful influence of the RUSSIAN BALLETS whose plastic avant-garde shines through in the revue —, the Casino de Paris plays on equal terms with the greatest institutions of its time, ensuring an ideal transition toward the visual climax of the show. FEATHERS, RHINESTONES, AND THE FLIGHT OF STAGE LEGENDS MISTINGUETT, Josephine BAKER, Maurice CHEVALIER: the stars of the era embody the peak of sensuality and emancipation, where women completely break free from conventions to reign supreme over a music-hall undergoing complete metamorphosis. Carried by the sumptuous creations of the major revues — in the direct lineage of MISTINGUETT's pageantry, JOSÉPHINE BAKER's triumphant avant-garde, but also the grace of the famous DOLLY SISTERS or Maurice CHEVALIER's verve, where men accompany and complete this pantheon —, these mythical figures build the legend of the stage. RARITY AND FINESSE: every page unveils a graphic and photographic composition of rare finesse, capturing the universe of the feminine aviary and dancers transformed into birds of paradise. MONUMENTAL OSTRICH FEATHER HEADDRESSES, rustling exotic plumages, sequins, and rhinestones combine with the high-end technique of PHOTOGRAVURE — an authentic period photomechanical process offering unparalleled velvety textures and contrast gradients —, giving this piece a timeless distinction at the crossroads of original rigor and the sumptuousness of Art Deco decor. TECHNICAL SHEET AND DESCRIPTION - STYLE: Art Deco / Roaring Twenties / Parisian Music-Hall Aesthetics - PERIOD: 1926 (1925-1926 Season, France) - TITLE & ORIGIN: "Paris en Fleurs" (L'art au music-hall, No. 5), published for the Casino de Paris - AUTHORS / DIRECTION: Albert Willemetz, Saint-Granier, Jean Le Seyeux - CASTING & STARS: Maurice Chevalier, the Dolly Sisters, Mlle Zannini, etc. - FORMAT & SUPPORT: In-quarto format (~31 x 25 cm), approximately 42 to 44 original stapled pages, color lithographed cover and richly illustrated interior (photogravures and polychrome plates) - ICONOGRAPHY: Showgirls, ballets, feather headdresses, floral motifs, period portraits, and stage reports - WEIGHT: ~250 g - CONDITION: Good original overall condition, consistent with the centennial age of the object (respected patina, preserved integrity of the structure and interior pages, light signs of wear consistent with age) Detailed photographs form an integral part of the description. SHIPPING AND CUSTOMS Packaging: Rigorous care, reinforced protection between rigid cardboard sheets for maximum safety during transit. European Union: 0% taxes and customs duties. Outside the EU (Switzerland, United Kingdom, USA, etc.): Official customs description: Antique collectible program / graphic document, Art Deco period (1926) (HS Code: 4901 99 00). The item is rigorously classified and documented to facilitate international customs clearance formalities. Local customs fees and import taxes remain the responsibility of the buyer.
Stima:€180
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