Raimund Girke ”RUHIGES WEISSKONTINUUM”. 1963

Oil on Hessian. 115 × 90 cm (45 ¼ × 35 ⅜ in.). Signed with brush in white on the reverse: GIRKE. Inscribed in black brush on the overlap: 5th L. Inscribed, signed, dated and titled in black brush on the stretcher: OBEN/TOP/GIRKE 1963 / "RUHIGES WEISSKONTINUUM" HANNOVER/GERMANY. There too a label of the exhibition Hanover 1969 (see below). [3014] With artist's framing, Oil on Hessian. 115 × 90 cm (45 ¼ × 35 ⅜ in.). Signed with brush in white on the reverse: GIRKE. Inscribed in black brush on the overlap: 5th L. Inscribed, signed, dated and titled in black brush on the stretcher: OBEN/TOP/GIRKE 1963 / "RUHIGES WEISSKONTINUUM" HANNOVER/GERMANY. There too a label of the exhibition Hanover 1969 (see below). [3014] With artist's framing, Private Collection, Hesse / Private Collection, England (acquired in 2008 at Grisebach, Berlin), Private Collection, Hesse / Private Collection, England (acquired in 2008 at Grisebach, Berlin), White on White. Lincoln/Massachusetts, De Cordova Museum, and Andover/Massachusetts, Addison Gallery of American Art, 1965, cat. no. 33 / Deutsche Avantgarde 1: Günter Fruhtrunk, Raimund Girke, Georg Karl Faber. Hannover, Kestner-Gesellschaft, 1969, cat. no. 55, no ill. Auction 157: Kunst des 19., 20. und 21. Jahrhunderts. Berlin, Grisebach, 31.5.2008, cat. no. 377, ill. / Madeleine Girke (ed.): Raimund Girke. Was weiss das Weiss. Ghent, Borgerhoff & Lamberigts, 2022, no. 62, ill

Stima:€10,000

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