Ninni Pagano (1969) - Meroveo - Serie Rosacroce

This work, entitled "Méroé" and part of Ninni Pagano's "Rose Croix" series, is a deeply evocative composition that fuses classical elegance with a symbolism that is almost esoteric in its charge. The aesthetics and the composition Chromatic contrast: the subject emerges from an absolute black background, which gives the work a suspended atmosphere, almost timeless or dreamlike, highlighting the rich chromaticity of the main subject. The central figure is characterized by a refined aesthetic: the face, very vivid, seems to spring from the canvas, the long neck, almost ivory, and the gaze turned upward (or toward the horizon) convey a sense of noble distance and introspection. The attire and the headpiece are rendered with material, detailed workmanship, rich in floral elements, gems, or applications that evoke royal or ritual atmospheres, perfectly in harmony with the theme of the "Rose Croix" series. The most enigmatic element is the sinuously shaped animal — recalling a creature between a serpent and a raptor — positioned beside the figure. The animal's long neck bends toward the figure with a delicacy that is almost predatory. There is no violence, but a kind of silent and magnetic “dialogue.” In the "Rose Croix" series, Pagano often explores the boundary between human, animal, and spiritual. The presence of this hybrid figure acts as a counterbalance to human propriety, suggesting a dualism between primal instinct (the predator) and spiritual consciousness (the portrait). Pagano's work here conveys a sense of ancient wisdom. The choice of the title "Méroé" — evoking the Merovingian dynasty, steeped in legends, esoteric mysteries, and references to the Grail — inserts the portrait into a quasi-mythological narrative, where reality blends with alchemy and the sacred. This is an image that does not seek to tell a linear story, but rather to evoke a state of mind: that of a solemn solitude, surrounded by symbols belonging to a distant past or to an invisible dimension. Rose Croix Series Ninni Pagano's "Rose Croix Series" is not merely a collection of paintings, but a true hermetic treatise translated into images. Through a deft fusion of occult symbolism, sacred history, and inner search, the artist guides us on a transformational journey that reflects the stages of the Great Work of alchemy. Ninni Pagano leads us into a metaphysical cabinet of curiosities, where the boundary between the human being and the alchemical instrument dissolves. This exhibition invites the visitor not to limit themselves to the surface aesthetics of the works, but to penetrate their dense symbolic fabric. Each canvas is a door, each color a vibration of the soul seeking its transmutation. The exhibition path is structured as a true initiatory journey, divided into three phases reflecting the processes of hermetic transmutation: Nigredo (Work in Black — the Roots), Albedo (Work in White — Knowledge), and Rubedo (Work in Red — Transcendence). Through central figures such as Mary Magdalene and Méroé, universal symbols like the Grail and the Book, and numerically complex compositions, Ninni Pagano offers us a visual map for the rediscovery of the sacred feminine and the union of opposites. It is an invitation to awaken the spiritual gold hidden in each of us, guided by the light of the Rose and the Cross. This work, entitled "Méroé" and part of the "Rose Croix" series by Ninni Pagano, is a profoundly evocative composition that fuses classical elegance with a symbolism that is almost esoteric in its charge.

Stima:€2,500

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