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Miquel Torner de Semir (1938) - NO RESERVE - Silencio en rojo y azul

Miquel Torner de Semir (1938) - NO RESERVE - Silencio en rojo y azul

Pictura Subastas presents this magnificent work of art by Miquel Torner de Semir, which represents a female face in profile surrounded by overlapping figures and shapes in an abstract and colorful composition. The painting stands out for its excellent technique and the high pictorial quality it conveys. · Dimensions of the work: 27x22 cm. · Mixed media signed by the artist in the lower right corner. · The piece is in good condition. The work comes from an exclusive private collection in Girona. Important note: the photographs included form an integral part of the lot description. The painting will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself. Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available. This painting presents a figurative composition of an abstract nature, in which a female face in profile stands out in the central lower part. The woman looks to the left and is outlined with dark strokes that define the forehead, nose, lips, and chin. Her eye, intensely marked, directs the gaze outside the scene, while the white, gray, pink, and reddish tones that form her face give her an expressive presence. Around her, other shapes and profiles overlap, so the image seems to gather several figures in a single visual space. The main figure is also distinguished by dark hair that blends with the blue‑gray tones of the upper area, and by the red garment covering the lower part of the composition. This intense red creates a warm color focal point and contrasts with the cold and earthy tones that surround the face. The woman’s posture, with the neck and shoulders suggested by curved lines, provides continuity to the figure, although her outlines merge with those of other shapes appearing beside her. Thus, the identity of each element seems to open up to different interpretations. Around the central profile, other silhouettes and fragmented faces are recognizable, some oriented in different directions. On the left side, shapes recall a face either frontal or in profile, built with reddish, ochre, and brown patches; at the top, several dark and reddish volumes suggest heads, bodies, or grouped figures. To the right, light and gray surfaces are linked with black curved lines that separate and connect the distinct elements. The scene is not organized as a conventional portrait, but as a set of presences that overlap and share the same plane. The palette combines warm and cool colors in a very marked way. Reds, oranges, ochres, and browns provide intensity and warmth, while blues, grays, whites, and blacks create contrast and shadow zones. Dark lines traverse the composition and delimit profiles, gestures, and shapes, creating a visual rhythm that guides the gaze from one face to another. The background does not appear as an empty space, but as an active surface, occupied by figures and shapes that seem to continue beyond the limits of the picture. Taken together, the painting proposes an enigmatic scene in which the female profile coexists with other fragmented figures, forming a composition rich in contrasts and suggestions. The woman’s gaze acts as a reference point within a dynamic whole, while the contours, intense colors, and overlapping shapes keep the viewer’s attention in constant motion. The work invites interpretation of the relationships between the presences that appear in it and discovering new details with each observation. Its strength lies in that combination of human figure, expressiveness, and mystery.

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