Marianne von Werefkin ”Der Schnitter”. Circa 1910

Tempera on paper on cardboard. 56 × 74,3 cm (56,5 × 74,5 cm) (22 × 29 ¼ in. (22 ¼ × 29 ⅜ in.)). On the reverse titled and numbered in blue: Der Schnitter Nr. 5 there too labels of the exhibitions Ascona 1967 and Ascona/Munich/Hanover 1988-90 (see below), as well as a label of the Moderne Galerie Thannhauser, Munich. [3062], Tempera on paper on cardboard. 56 × 74,3 cm (56,5 × 74,5 cm) (22 × 29 ¼ in. (22 ¼ × 29 ⅜ in.)). On the reverse titled and numbered in blue: Der Schnitter Nr. 5 there too labels of the exhibitions Ascona 1967 and Ascona/Munich/Hanover 1988-90 (see below), as well as a label of the Moderne Galerie Thannhauser, Munich. [3062], From the estate of the artist, Ascona / Galerie Chichio Haller, Zurich / Private Collection, Switzerland (1969 acquired at Galerie Chichio Haller, thence by descent to the present owner), From the estate of the artist, Ascona / Galerie Chichio Haller, Zurich / Private Collection, Switzerland (1969 acquired at Galerie Chichio Haller, thence by descent to the present owner), Marianne von Werefkin. Ascona, Galleria Castelnuovo Trudi Neuburg-Coray, 1967, cat. no. 33 / Marianne von Werefkin, 1860-1938. Zurich, Galerie Chichio Haller, 1969, cat. no. 7 / Marianne von Werefkin. Leben und Werk 1860-1938. Ascona, Museo Comunale d’Arte Moderna; Munich, Villa Stuck; Hannover, Kunstverein; Berlin, Haus am Waldsee; Bad Homburg, Sinclair-Haus, 1988-90, cat. no. 53, ill. / Der Blaue Reiter und das neue Bild – Von der „Neuen Künstlervereinigung München“ zum „Blauen Reiter“. München, Städtische Galerie im Lenbachhaus, 1999, S. 321-328, ill. p. 326, Otto Fischer: Das neue Bild. Veröffentlichung der Neuen Künstlervereinigung. Munich, 1912, ill. pl. XXXV / Nicole Brögmann: Marianne von Werefkin. Œuvres peintes 1907–1936. Gingins, Fondation Neumann, 1996, p. 39, ill. 36 / Schlossmuseum Murnau, Brigitte Salmen (ed): Marianne von Werefkin in Murnau. Kunst und Theorie, Vorbilder und Künstlerfreunde. Murnau, 2002, p. 65, ill. 19)

Stima:€400,000

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