Francisco Lodoviscio Bona - Defensio Beatissimae Virginis Mariae

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lotto/francisco lodoviscio bona defensio beatissimae virginis mariae 1674 1674 ewfRoSe 633164069

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Francisco Lodoviscio Bona - Defensio Beatissimae Virginis Mariae - 1674-1674

Defensio Beatissimae Virginis Mariae & piorum cultorum illius; against the pamphlet entitled, Monita Salutaria B.V. Mariae to her indiscreet devotees. Author: Francisco Loduviscio Bona (Pseudonym of Adam Widenfeldt / Circle of Nicolaus du Bois). Printer: Typis Christoph. Küchleri, Mainz (Moguntiae). Year of publication: 1674 (M. DC. LXXIV). Format: Octavo (8vo). Pagination: 151 pp. (Main treatise) + Appendix / Second part complete: "Jesu Christi Monita Salutaria de cultu Dilectissimae Matris Mariae... Edita d'Paci per R.D. Henricum de Cerf". Description of the work: A rare and important Counter-Reformation theological volume bringing together the famous Marian apologetic and the censored Jansenist libel that provoked the liturgical dispute of the 17th century. The text includes the famous woodcut engraving with the circular Jesuit monogram (IHS) and the nails of the Passion at the end of page 151, as well as detailed sections warning the reader (Praemonitio ad Lectorem) in which the papal condemnations of Innocent X and Alexander VII against the Five Jansenist Propositions are detailed. Provenance and Ownership History: This copy stands out for its exceptional documented historical lineage in its ownership marks: Early Provenance (17th Century): It originally belonged to the library of a Jesuit College. It bears the calligraphic handwritten inscription at the top of the title: "Collegii Societ. Iesu" along with an inventory number. The vellum spine preserves the original shelfmarks of the Jesuit arrangement (letter N, X and numeral 30). Modern Provenance (20th Century): It includes on the front flyleaf the full-page engraved ex-libris of the Dutch scholar, pedagogue and musicologist Jos Lenards (Joseph Lenards), a major promoter of the Ward Method and Gregorian chant. The woodcut is signed and dated in the plate by the renowned Benedictine monk-artist Dom Jérôme Leussink in 1945 (Abbey of Saint Benedict, Vaals), showing a rich iconography that blends ecclesiastical writing with sacred song. Condition: Original period binding in limp parchment. Structure and sewing firm with stable spine cords. The paper presents the usual patina of its more than 350 years, with uniform darkening and some foxing spots that do not affect legibility. A complete copy with margins in good condition.Description in FrenchTitle: Defensio Beatissimae Virginis Mariae & piorum cultorum illius; contre libellum intitulé, Monita Salutaria B.V. Mariae ad cultores suos indiscretos.Auteur: Francisco Loduviscio Bona (Pseudonyme d'Adam Widenfeldt / Cercle de Nicolaus du Bois).Imprimeur: Typis Christoph. Küchleri, Mayence (Moguntiae).Année d'édition: 1674 (M. DC. LXXIV).Format: In-octavo (8vo). Pagination: 151 pp. (Traité principal) + Appendice / Seconde partie complète: "Jesu Christi Monita Salutaria de cultu Dilectissimae Matris Mariae... Edita d'Paci per R.D. Henricum de Cerf".Description de l'ouvrage: Rare et important volume théologique de la Contre-Réforme réunissant la célèbre apologie mariale et le libelle janséniste censuré qui provoqua la querelle liturgique au XVIIe siècle. Le texte comprend la célèbre vignette gravée sur bois avec le monogramme jésuite circulaire (IHS) et les clous de la Passion à la fin de la page 151, ainsi que des sections détaillées d'avertissement au lecteur (Praemonitio ad Lectorem) mentionnant les condamnations papales d'Innocent X et d'Alexandre VII contre les Cinq Propositions jansénistes.Provenance et Historique de Propriété:Cet exemplaire se distingue par un parcours historique exceptionnel documenté à travers ses marques de propriété:Provenance Ancienne (XVIIe siècle): Appartint à l'origine à la bibliothèque d'un Collège de la Compagnie de Jésus. Il porte l'inscription manuscrite calligraphiée en tête du titre: "Collegii Societ. Iesu" avec numéro d'inventaire. Le dos en parchemin conserve les cotes d'étagère jésuites d'origine (lettres N, X et chiffre 30).Provenance Moderne (XXe siècle): Comporte sur le contre-plat supérieur l'ex-libris gravé à pleine page de l'érudit, pédagogue et musicologue néerlandais Jos Lenards (Joseph Lenards), promoteur de la Méthode Ward et du chant grégorien. Le bois gravé est signé et daté par le célèbre moine artiste bénédictin Dom Jérôme Leussink en 1945 (Abbaye de Saint-Benoît, Vaals), affichant une riche iconographie mêlant l'écriture ecclésiastique et le chant sacré.État de conservation:Reliure de l'époque en plein parchemin souple. Structure et couture fermes avec nerfs stables. Le papier présente la patine habituelle de ses plus de 350 ans, avec un brunissement homogène et quelques rousseurs mineures qui ne nuisent pas à la lecture. Exemplaire bien complet et grand de marges.Description in EnglishTitle: Defensio Beatissimae Virginis Mariae & piorum cultorum illius; contra libellum intitulatum, Monita Salutaria B.V. Mariae ad cultores suos indiscretos.Author: Francisco Loduviscio Bona (Pseudonym for Adam Widenfeldt / Circle of Nicolaus du Bois).Printer: Typis Christoph. Küchleri, Mainz (Moguntiae).Year of publication: 1674 (M. DC. LXXIV).Format: Octavo (8vo). Pagination: 151 pp. (Main treatise) + Appendix / Complete second part: "Jesu Christi Monita Salutaria de cultu Dilectissimae Matris Mariae... Edita d'Paci per R.D. Henricum de Cerf".Description of the Book:A rare and important Counter-Reformation theological volume bringing together the famous Marian apology and the censored Jansenist libel that sparked the major liturgical dispute of the 17th century. The text features the well-known woodcut emblem with the circular Jesuit monogram (IHS) and the nails of the Passion at the conclusion of page 151, as well as detailed warning sections to the reader (Praemonitio ad Lectorem) noting the papal condemnations by Innocent X and Alexander VII against the Five Jansenist Propositions.Provenance and Ownership History:This specimen stands out for its exceptional and documented historical lineage shown through its ownership marks:Early Provenance (17th Century): Originally belonged to the library of a Jesuit College (Society of Jesus). It bears the contemporary calligraphic manuscript inscription at the top of the title page: "Collegii Societ. Iesu" along with an inventory number. The vellum spine preserves the original Jesuit shelfmarks (letters N, X, and number 30).Modern Provenance (20th Century): Features on the front paste-down the full-page engraved ex-libris of the Dutch scholar, educator, and musicologist Jos Lenards (Joseph Lenards), a leading promoter of the Ward Method and Gregorian chant. The woodcut is signed and dated in the plate by the renowned Benedictine monk and artist Dom Jérôme Leussink in 1945 (St. Benedictusberg Abbey, Vaals), displaying a rich iconography linking ecclesiastical scholarship with sacred song.Condition:Original contemporary limp vellum binding. Solid structure and tight sewing with stable bands. The paper shows the natural patina of its 350+ years, with minor uniform toning and occasional foxing or oxidation spots that do not affect readability. A complete copy with margins in good condition.

Stima:€220

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