Follower of Giandomenico Tiepolo (XVIII-XIX)

Follower of Giandomenico Tiepolo (18th–19th Century) – Caricature Portrait of Mozart and Sammartini Object Type: Original Artwork / Antique Painting Subject: Genre Scene / Musical Satire (Caricature Portraits) Period / Era: Early 19th Century (approx. 1800–1820) Circle / School: Venetian-Lombard School, circle/follower of Giandomenico Tiepolo (1727–1804) Technique: Oil on canvas laid down on panel (antique lining on wooden support) Signature: Unsigned Condition: Good overall condition, with expected age-related wear and light patina on the frame (see photos for detail) Artwork Dimensions: 37 x 54 cm (approx. 38 x 55 cm) Total Dimensions (with frame): 54 x 71 cm Frame: Period gilt and molded wooden frame included in the auction Description Fine and lively oil on canvas laid down on panel, attributable to a follower or epigone of Giandomenico Tiepolo (Venice, 1727 – 1804), active between the late 18th century and the early decades of the 19th century. The work belongs to the celebrated and sophisticated 18th-century tradition of genre painting and musical satire, capturing the expressive and grotesque elements rendered famous by Venetian and Lombard caricatures with delightful ironic verve. Iconographic Analysis The scene is set inside a music room or chapel, dominated at the center by a small wooden chamber pipe organ (organo positivo): On the left (Wolfgang Amadeus Mozart): Depicted in dark period attire and an 18th-century wig while playing the keyboard. His features are rendered in a distinctly caricatured style (prominent nose, receding chin), referencing the whimsical and popular iconography associated with the Salzburg genius. On the right (Giovanni Battista Sammartini): Dressed in clerical robes while operating the organ bellows. The identification points to the famous Milanese composer; clerical dress was standard for musicians and maestri di cappella active in Lombardy during the era (such as at the Milan Cathedral). Style and Preservation Notes Pictorial Style: The painting directly draws inspiration from Giandomenico Tiepolo’s grotesque idiom (notice the deliberately distorted anatomical proportions featuring macroscopic heads over small bodies, typical of Tiepolo's satirical series and Pulcinella cycles). Support and Technique: The painterly handling and spontaneous, popular brushwork showcase a high-quality hand. Laying the canvas down on panel is a historical antique conservation intervention executed to stabilize the small-format textile support. Collector’s Appeal: A highly captivating piece for classical music enthusiasts, antique satire lovers, and collectors of 18th/19th-century genre painting. Follower of Giandomenico Tiepolo (18th–19th c.) – Caricature Portrait of Mozart and Sammartini Technical Details Type: Original Artwork / Antique Painting Subject: Genre Scene / Musical Satire (Caricature Portraits) Era / Period: Early 19th century (ca. 1800 – 1820) Scope / School: Venetian-Lombard School, close to the circle / follower of Giandomenico Tiepolo (1727–1804) Technique: Oil on canvas laid down on panel (antique lining on wooden support) Signature: Unsigned Condition: Good overall condition, with normal signs of age and wear on the frame (see photo gallery) Artwork Dimensions: 37 x 54 cm (about 38 x 55 cm) Total Dimensions (with frame): 54 x 71 cm Frame: Period gilt and molded wooden frame included in the auction Description of the Work Fine and lively oil on canvas laid down on panel, attributable to a follower or epigone of Giandomenico Tiepolo (Venice, 1727 – 1804), active between the late 18th century and the early decades of the 19th century. The work fits within the fortunate and refined tradition of 18th-century genre painting and musical satire, echoing with happy ironic verve the expressive and grotesque motifs made famous by Venetian and Lombard caricatures. Iconographic Analysis The scene is set inside a study or chapel, dominated at the center by a small wooden positive organ: On the left (Wolfgang Amadeus Mozart): Portrayed in dark civil attire and a rococo wig while playing the keyboard. His features are rendered in a clearly caricatured style (pronounced nose, receding chin), alluding to the playful and apocryphal iconography linked to the famous Salzburg composer. On the right (Giovanni Battista Sammartini): Dressed in clerical robes while operating the organ bellows. The identification points to the renowned Milanese maestro; clerical dress was typical for musicians and chapel maestri active in Lombardy during the era (such as at Milan Cathedral). Style and Conservation Notes Pictorial Language: The painting directly draws on Giandomenico Tiepolo’s grotesque idiom (noting the deliberately altered anatomical proportions with macroscopic heads and small bodies, typical of Tiepolo’s satirical cycles and Pulcinella). Support and Technique: The painterly execution and the spontaneous, popular brushwork reveal a high-quality artist’s hand. The re-lining of the canvas onto panel reflects a historical antiquarian intervention aimed at consolidating the textile support of this small-format work. Context: A work of notable appeal for lovers of classical music, period satire, and collectors of genre painting from the 18th to the 19th century.

Stima:€3,600

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