Flagellation of Christ. Chevalier d'Arpin, 16th-century Italian Renaissance

Descriptio Oil on panel. The scene depicts the moment of Christ’s flagellation, centered in the foreground with his naked torso, his hands tied to a low column, and his head bowed in a gesture of resignation. Around him, several executioners carry out the punishment with expressive dynamism: one raises his arm with a flagellum, another holds Christ by the arm, while in the background two other figures reinforce the narrative tension. The anatomical modeling of Christ is carefully rendered, emphasizing his musculature, volume, and body twist, in contrast to the angular gestures and polychrome attire of the executioners. The color palette, sober in Christ’s body and vibrant in the executioners’ robes, reinforces the emotional tension. The mock architecture that frames the scene, with fluted columns and a semicircular pediment crowned by cherubs and classical elements, recalls models of the Italian Renaissance. The collection shows an influence of Germanic Mannerism, particularly the German School, with a notable attention to dramatic gestures and stage theatricality. No visible signature is visible. 119 x 75 cm. Due to its age and history of use, this lot may show signs of wear and previous interventions. Unless explicitly stated otherwise, no specialized technical testing has been performed. The absence of any mention of restorations does not guarantee that none exist. You may request additional information before placing a bid. This does not affect the buyer’s statutory rights.

Stima:€5,000

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