Ben Dauchez - Bauhaus Maroc #3 Bleu

lotto/ben dauchez bauhaus maroc 3 bleu J4dvodL 632939464 / In vendita

lotto/ben dauchez bauhaus maroc 3 bleu J4dvodL 632939464

In venditaRisultati d’asta

lotto/ben dauchez bauhaus maroc 3 bleu J4dvodL 632939464

In venditaRisultati d’asta

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Ben Dauchez - Bauhaus Maroc #3 Bleu

Series Bauhaus Maroc - Title: Bauhaus Blue Morocco #2 - Fine Art print 40x60, numbered signed 2/10 - Certificate of Authenticity Fusion of two worlds: multi-exposure enables overlapping these two universes — the formal rigor of Bauhaus and the sensory and historical richness of Morocco. Perhaps the clean lines of Bauhaus intertwine with Moroccan architectural motifs, such as arches, mosaics, and the textures of sun-dried earth or stone walls. This fusion creates a kind of visual dialogue between modernity and tradition. Conceptual approach: The use of multi-exposure can also symbolize the idea of interaction between the past and the present, between modern and traditional architecture. Morocco, rich in cultural symbols, could be seen here as a testing ground to transpose Western concepts of Bauhaus into a more eastern, even Mediterranean, context. Play of light and color: The contrast between the sharp shadows of Bauhaus and the warm, diffused colors typical of Morocco (ochres, reds, blues, and oranges) could be heightened. This could offer a poetic dimension where each superimposed image evokes a sense of movement, transformation, and immersion in a hybrid space between orient and occident. Impact of multi-exposure: Temporal and spatial dimensionality: By superimposing several moments or spaces, the multi-exposure technique could also suggest a temporal experience, as if traveling through different eras or different perceptions of Morocco. This play on time and space echoes notions of fluidity and transition in Bauhaus culture, while drawing on the multiple layers of meaning and history that Morocco embodies. Cultural and aesthetic duality: Finally, this work could express a reflection on the relations between Western and Eastern cultures, between the European functionalism of Bauhaus and the sensuality of Moroccan forms. Multi-exposure can create an atmosphere where the two worlds are not opposed but rather interconnected within a single artistic vision. -Series Bauhaus Blue Morocco #1 - Fine Art print 50x50, numbered signed 3/10 - Certificate of Authenticity A passion for photography from a young age, Ben DAUCHEZ began in La Rochelle’s neighborhood studios. There he acquired the full range of basic photographic techniques—from shooting to retouching, through the lab. At 22, freshly graduated, he moved to Paris to perfect his training by becoming a set assistant for Daguerre studios, Le Petit Oiseau va sortir, and Studio Zéro. He had the chance to collaborate with and assist some of the most talented photographers: Bettina RHEIMS, Patrick DEMARCHELIER, Terry RICHARDSON, Ellen VON UNWERTH, Marcus MAM... From certain decisive meetings, beautiful projects and lasting collaborations would emerge, notably with André RAU, Bettina RHEIMS (the sultry INRI exhibition and its eponymous book at Editions Albin Michel), and Peter BEARD (Pirelli calendar 2009 in Botswana). His photos have been published, among others, by Condé Nast Editions (French and international), Première, WallPaper, ID, Madame Figaro, Lifestyles, Dandy Magazine... His world also interests brands with very different identities, for which he has directed Institutional and/or advertising campaigns such as Dior (beauty), L'Oréal, Peugeot, Philip Morris, or Burger King (advertising awarded at Dubai Lynx). Ben DAUCHEZ has also created numerous portraits of celebrities (IGGY POP, Woody ALLEN, Grace JONES, Jean DUJARDIN, Gilles LELLOUCHE, Olivier MARCHAL, Carole BOUQUET, Charlotte GAINSBOURG, ...) of beauty, men of the world (Olivier DASSAULT, Jacques SEGUELA...) and travelers... This photographic path has since allowed him to freely immortalize the human beauty, aesthetics, and spirituality of each personality.

Stima:€2,000

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