A.R. Penck - TEN X DEN X ZEN (1 )- Offset Lithograph...

lotto/a r penck ten x den x zen 1 offset lithograph TzcSkw7 632994384 / In vendita

lotto/a r penck ten x den x zen 1 offset lithograph TzcSkw7 632994384

In venditaRisultati d’asta

lotto/a r penck ten x den x zen 1 offset lithograph TzcSkw7 632994384

In venditaRisultati d’asta

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A.R. Penck - TEN X DEN X ZEN (1 )- Offset Lithograph...

Offset lithography after A. R. Penck (*) Reproduction of the work “TEN - DEN - ZEN (1) work created by A.R. Penck in 1983 and that forms part of the collection of the Museen Preussischer Kulturbesitz. National Galerie Berlin Published by Achenbach Art Edition, Düsseldorf. Authorized printing with copyright and legal serial number. Large Format. - Sheet dimensions: 70.5 x 90 cm - Year: 1991 - Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and therefore remains in perfect condition). - Provenance: Private collection. The work will be carefully handled and packed in reinforced cardboard packaging. The shipment will be tracked with a tracking number. The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer. (*) AR Penck is a painter, draftsman, sculptor, born in 1939 in Dresden and died in 2017 in Zurich. He attempted to enroll at the Dresden Academy of Fine Arts in 1956, but was rejected, particularly due to his communist beliefs. In 1968, Ralf Winkler gave himself the name AR Penck, a pseudonym inspired by the geologist Albrecht Penck. He is recognized in the rebel character of Rembrandt, who, like him, was a stranger. AR Penck risked working according to his Marxist ideals in the GDR. His works were censored and he would be stripped of his nationality. His work recalls that of the great moderns: Picasso, Kirchner, Klee, Giacometti, but retains a wilder, rougher aspect, approaching graffiti. His universe is nourished by colorful characters, symbols, assembled in a wild way. He composes his language to “represent beings in action.” He nicknamed this pictorial style: Standart. As soon as he left West Germany in 1980, rejection gave way to success, he won the Rembrandt Prize in Basel in 1981 and in 1985 the Aix-la-Chapelle Art Prize. It will be the subject of a major retrospective at the Paris Modern Art Museum and at the Maeght Foundation.

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