Oggetti "Freeman's"

AFTER CANALETTO (italian 1697–1768) "RIVA DEGLI...

AFTER CANALETTO (italian 1697–1768) "RIVA DEGLI SCHIAVONI" Oil on canvas 30 1/2 x 50 in. (77.5 x 127cm) provenance: Collection of Lady Grant, Lowndes Square, London, United Kingdom. Knoedler & Co., New York, New York. Acquired from the above by 1958. Collection of Harold Talbot, New York, New York. Acquired from the above on July 16, 1958 (as "attributed to Bernardo Bellotto"). Property from the Virginia Museum of Fine Arts, Sold to Benefit Future Acquisitions. EXHIBITED "Painters of the Renaissance," Artmobile, Virginia Museum of Fine Arts, Richmond, Virginia, 1958-1961. Lynchburg Fine Arts Center, Lynchburg, Virginia, September 23-October 15, 1962. "Realities," Artmobile, Virginia Museum of Fine Arts, Richmond, Virginia, September 1981-May 1982; and September 1982-June 1985. LITERATURE: European Art in the Virginia Museum of Fine Arts, Virginia Museum of Fine Arts, Richmond, 1966., no. 31, p. 23 (illustrated). W.G. Constable, Canaletto, Clarendon Press, Oxford, 1962, vol. II, no. 122, p. 234 (illustrated). NOTE: The present work follows the composition of the 1736 painting by Canaletto, now in Sir John Soane's Museum in London. The original oil is 50 x 80 inches. Estimate $8,000-12,000 Leave a Bid Bid in the Room Bid Live Online Freeman's Live Invaluable Bid on the Telephone, (italian 1697–1768), provenance:, European Art in the Virginia Museum of Fine Arts, Canaletto, Estimate $8,000-12,000, Leave a Bid Bid in the Room Bid Live Online Freeman's Live Invaluable Bid on the Telephone, Leave a Bid, Leave a Bid Bid in the Room, Bid in the Room, Bid Live Online, Freeman's Live, Invaluable, Bid on the TelephoneLeggi di più

  • USA
  • 3d 17h

BAULE STYLE PORTRAIT MASK

BAULE STYLE PORTRAIT MASK, MBLO Cote d'Ivoire, 20th Century Carved wood, the face shown with arched brow, half moon eyes, long nose and scarifications to the cheeks. With a striated coiffure featuring a pair of birds above and a single bird hanging to the underside of the chin. Raised on a bespoke bronze mount. H: 19.25 in. (mounted). PROVENANCE: Private collection, Los Angeles, acquired 1980's. The Jeff Hunter Collection, New York. Estimate $2,000-3,000 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Freeman's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Freeman's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Freeman's. For that reason, Freeman's condition report is not an alternative to taking your own professional advice regarding the condition of the lot. All transactions are governed by Freeman's Conditions of Sale. Leave a Bid Bid in the Room Bid Live Online Freeman's Live Invaluable Bid on the Telephone, Estimate $2,000-3,000, Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Freeman's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Freeman's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Freeman's. For that reason, Freeman's condition report is not an alternative to taking your own professional advice regarding the condition of the lot. All transactions are governed by Freeman's Conditions of Sale. Leave a Bid Bid in the Room Bid Live Online Freeman's Live Invaluable Bid on the Telephone, Leave a Bid, Leave a Bid Bid in the Room, Bid in the Room, Bid Live Online, Freeman's Live, Invaluable, Bid on the TelephoneLeggi di più

  • USA
  • 17d 16h

FEDERICO DEL CAMPO (peruvian 1837–1927) VENETIAN CANALS; A PAIR Both signed

FEDERICO DEL CAMPO (peruvian 1837–1927) VENETIAN CANALS; A PAIR Both signed, located and dated 'F. del Campo/Venezia/1899' (one bottom right, the other bottom left), pair oils on canvas Each: 13 7/8 x 9 1/4 in. (35.2 x 23.5cm) (2) provenance: Private Collection, United Kingdom. NOTE: Born in Lima, Peru, Federico del Campo studied at the Real Academia de Bella Artes de San Fernando in Madrid, establishing a friendship with fellow painter Lorenzo Valles (1830-1910). As with his contemporaries Franz Unterberger (1838-1902), Martin Rico y Ortega (1833-1908) and Antonietta Brandeis (1848-1926), del Campo is best known for his luminous views of Venice, in which architecturally accurate buildings, shimmering canals and gondolas are rendered with great detail, using short, precise brushstrokes and delicate glazes. In the present paintings, the viewer is invited into the picture plane, his or her eye following the winding canals rendered with single vanishing point perspective, all the while taking note of the blue skies, gondoliers and figures walking along the promenades. A painter of vedute, del Campo masterfully painted, both in vertical and horizontal formats, such locations as the Palazzo Ducale, Santa Maria della Salute, the Doge's Palace, the Ca d'Oro, the Grand Canal and Saint Mark's Square. Estimate $30,000-50,000 Leave a Bid Bid in the Room Bid Live Online Freeman's Live Invaluable Bid on the Telephone, (peruvian 1837–1927), provenance:, Estimate $30,000-50,000, Leave a Bid Bid in the Room Bid Live Online Freeman's Live Invaluable Bid on the Telephone, Leave a Bid, Leave a Bid Bid in the Room, Bid in the Room, Bid Live Online, Freeman's Live, Invaluable, Bid on the TelephoneLeggi di più

  • USA
  • 3d 17h

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A Scottish silver coffee pot, 1916, glasgow, retailed by sorely
A Scottish silver coffee pot\n\n1916, glasgow, retailed by sorely\n\nTapered body with dome lid, from "M.J.M. /August 1927" engraved with Martin family crest and "hinc fortior et clarior."\n\nH: 9 in. (kettle), Weight 18.17 oz.t.\n\nDescriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Freeman's
French model of a chow chow, late 19th/early 20th century, signed lecourtier
French model of a chow chow\n\nlate 19th/early 20th century, signed lecourtier\n\nDepicting the dog standing, on a signed naturalistically cast base.\n\nH: 15, L: 14 in.\n\nDescriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Freeman's
Wedgwood Rockingham glaze oval plaque, 'The Choice of Hercules', 19th century
Wedgwood Rockingham glaze oval plaque, 'The Choice of Hercules'\n\n19th century\n\nDepicting Hercules choice between a life of service or continuing pleasure. H: 11, W: 15 3/4 in. Freeman's
Group of Chinese carved elephant ivory table articles, Comprising a standing figure of a woman, a pair of vases, three immortals and...
Group of Chinese carved elephant ivory table articles\n\nComprising a standing figure of a woman, a pair of vases, three immortals and a pair of opium pipes. (8).\n\nTallest H: 8 in.\n\nDescriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Freeman's
Federal mahogany candlestand, late 18th/early 19th century
Federal mahogany candlestand\n\nlate 18th/early 19th century\n\nRectangular top with rounded corners over urn pedestal base terminating in tripod tapering legs.\n\nH: 27 3/4 in. W: 17 in. D: 21 3/4 in. Freeman's

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